Learning Mode vs. Playing Mode
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At times, we're too heady while playing, affecting timing, flow, spontaneity, and the general feeling of the music. What Happens? Deep thought and analysis help us gain a better understanding of djembe music. (W...
Quickly Improve Your Accompaniment
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Broadly speaking, there are two areas of djembe playing that we can always improve on so that the music just keeps getting better and better all the time: Accompaniment Solo. We discuss solo in this...
The Endangered Three – Oldstyle Djembe
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Think of "Roots" djembe music like Roots Reggae, Classic Rock, or Oldies. It's old-style music from a few generations back. Djembe music is changing. Today, younger people usually play modernized djembe music ...
The “Ripping” and “Shredding” of Traditional Djembe
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Originally published August 2004 by Jeremy Chevrier on his Djembe Essays Blog. People play djembe for a variety of reasons. Some play for fun. Some play because they want to show off. Some play to attract a mat...
Solo Rides
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Solo Rides are solo phrases that are like accompaniment patterns. In modern ensembles, they sometimes become "accompaniment #2," "accompaniment #3," or "accompaniment #4," but they were originally played by the so...
A Theme-Based Approach to Soloing
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The difference between a phrase-based and theme-based approach to djembe is profound. It may be one of the biggest reasons why many students will never sound like their African teachers - no matter how long or har...
Series: Jeremy Chevrier’s Djembe Essays
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We're happy to republish a handful of articles originally written a decade ago by Jeremy Chevrier, founder of Rootsy Records as well as The Djembe Hotel in Bamako, Mali. Jeremy, and the recordings he re...
Intro To Active Accompaniment
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"Active Accompaniment" describes a style of advanced dynamic accompaniment playing we hear in Roots Djembe music. It has to do with the presence and priorities of the accompanist. A player who plays Active...
Don’t Force Your Entire Repertoire
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One of the main things you can do to improve the quality of your solo is to decrease the quantity of different solo phrases. Forcing Your Repertoire Many people try to sound better by running through a larg...
Pillar #2: Prioritize Musicality
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Good-feeling music before technical tricks and showmanship is the second of “The Endangered Three” – a group of three qualities that, when combined, embody Roots Djembe. And unfortunately, it’s becoming rare to fi...
The Need for Speed
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Originally published August 2004 by Jeremy Chevrier on his Djembe Essays Blog. In the past, speed was only one skill or facet of being a good djembe player. Today it has become one of the most important...